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These are shopworkers and people from Colchester, captured and converted by the simple mechanics of a Cyber-ship, barely reawakened by some inept Council electricians. These are not, right now, the galaxy-crushers of legend. Yes, there’s a certain naffness to the Cybermen when they appear, but that’s almost the point of them in this story. It’s all joyously rich Eleventh Doctoring, and it stands up to much more rewatching than you might imagine. He talks to Stormageddon about how everything is still ahead for the child, and delivering a little Time Lord magic to show him the stars, just because he’s there, and he can, and it brings tears to your eyes. He reflects on how selfish he has always been (all the way back to his escape from Gallifrey, that is), uprooting people from their lives, dancing them round the universe just because he needed them, and then letting them go, and you want to give him a hug. In Closing Time, we see the Eleventh Doctor in a much more sombre, reflective mood than usual, and Smith absolutely knocks those out of the park, too. Watched again after several years, Closing Time re-impresses on you just how much commitment Matt Smith put into being his very specific Doctor, with every scene, every moment containing at least a little something that enhances the quality and depth of the characterisation. And his positively ‘Jeremy Brett Sherlock Holmes’ bandy-legged alien energy as he darts about looking for Cybermats. His striding authority (in, by this point, a much better striding coat than his initial Tweed) with Val (Lynda Barron) and the friends he rapidly makes at his job at the store. In Closing Time particularly, he’s more downbeat, from his maintained habit of kissing everyone in greeting or departure, twice, French-style, to the plateauing of his face in disappointment when he learns that Craig and Sophie didn’t name their first child “The Doctor”, to his child-like glee at demonstrating a remote-controlled helicopter to children, then getting to the heart of their experience by telling them their parents are boring. He’s both more grounded and more ostentatiously weird by comparison with the Really Very Ordinary Craig. The Eleventh Doctor with Craig Owens is different to the Eleventh Doctor with Amy and Rory Pond, or with River Song, or with Clara Oswald. But seriously, if that’s all you’re focusing on, you’re missing out on some diamond quality Matt Smith. Most people remember that it stars James Corden, which annoys them, and that it’s written by persona non grata Gareth Roberts, which annoys them for a rather more logical reason, and that the line “I blew them up with love” appears in it, which to many people is the absolute nadir of the Cybermen’s existence in Doctor Who. It will never be a story that people hold up as the best of the Matt Smith era, but Closing Time has a lot more to offer than most people remember. Or as much on his own as it gets when the Doctor’s around, and has his Noticing Face on.īecause, much as the Doctor wants to ignore it – and in Closing Time, there’s some enormously impressive Matt Smith acting as he really, truly TRIES to ignore it – something’s afoot… underfoot. But with Sophie away for the weekend, he has to deal with the hand-grenade unpredictability of a young child on his own. Bit of a dipstick when it comes to being a dad, but mostly, fine. They have a son now: Alfie, who shall be called Stormageddon, Dark Lord of All. The Doctor knows he’s going to his appointed death and destiny, and – for reasons that admittedly confuse a whole lot of Doctor Who fans – he goes to see Craig Owens, the man whose infamous lack of ambition led him to relative safety in The Lodger, played again by James Corden.Ĭraig and Sophie have moved on from the last time the Doctor saw them. The Doctor has just left Amy and Rory behind on Earth, Amy’s adoration for him finally quashed and replaced with something more even-handed and realistic after the events of God Complex – to this day, one of the finest Eleventh Doctor stories. Series 6 was probably the ‘Peak Moffatt’ point of the Matt Smith era – complicated, temporally convoluted, and with a sense of growing, impending darkness moving towards an impossible conclusion and any number of handy loopholes through which to crawl out of the deeper, more meaningful consequences of all the drama.Ĭlosing Time, in that run up to the end, functions very much as the in-drawn breath before the finale, a moment of relative calm before the whole universe goes totally tonto in The Wedding Of River Song. In either scenario, the operator must do so for the purpose of making a profit, which will be judged over a period of time that is hopefully longer than a downturn in commodity prices. The safer approach, however, may be to reduce continuous production volumes. In summary, it is likely that producing intermittently with no cessation of longer than the period described in the cessation of production clause would be permissible. If an operator temporarily halts or reduces production, it is critical that it do so for the purpose of making a profit and not merely for speculation. And, when a lease has a defined cessation of production clause, that period has been held to be the definitive period of permissible temporary cessation. While production is required to maintain an oil and gas lease beyond its primary term, a reasonable temporary cessation is permissible when there is no cessation of production clause. And, the operator should be prepared to show that it acted as a reasonable and prudent operator would have acted under similar circumstances.ĭuring times of low commodity prices operators often consider reducing or temporarily halting production to reduce losses. If challenged, a court should review profitability over a long term, not just during a few months of low prices. The Court stated that “there can be no limit as to time, whether it be days, weeks, or months, to be taken into consideration in determining the question of whether paying production from the lease has ceased.” Id at 483. The Texas Supreme Court held that an instruction limiting the jury to consider “fifteen months of slowed production” was in error, because it “did not allow the jury to consider the well’s return to profitability following that window.” Laddex at 484. One Texas Court considered 12 months and 21 months to be reasonable considering the facts of the case. The time period for determining whether a well has produced in paying quantities is “a reasonable period of time under the circumstances.” BP Am. The second prong broadly considers factors such as depletion of the reservoir, price of the produced product, relative profitableness of other wells in the area, operating and marketing costs, net profit, lease provisions, whether the lessee is holding the lease merely for speculative purposes, and whether there is a reasonable basis for the expectation of profitable returns. The first prong considers whether the entire income attributable to the working interest created by the original lease exceeds the operating and marketing expenses, which include taxes, overhead charges, labor, repairs, and depreciation on salvageable equipment, but not costs or expenses in connection with the original drilling of the well. And second, it looks to “whether or not under all the relevant circumstances a reasonably prudent operator would, for the purpose of making a profit and not merely for speculation, continue to operate a well in the manner in which the well in question was operated.” Clifton v. Whether a well has produced in paying quantities is determined in hindsight by considering a two pronged test that first looks to whether the well “pays a profit, even small, over operating expenses … though it may never repay its costs, and the enterprise as a whole may prove unprofitable.” Id. Therefore, in addition to actual production, a lessee must produce in paying quantities to maintain an oil and gas lease beyond its primary term. Texas and New Mexico Courts have held that “the terms ‘produced’ and ‘produced in paying quantities’ mean substantially the same thing.” Id. Oil and gas leases are typically for a certain term of years and then for “so long as oil or gas is produced from the land.” Maralex Res., Inc. This brief note discusses production in paying quantities, which is often the issue determining the need to invoke one or more lease savings clauses. We have previously discussed shut-in, force majeure, continuous drilling, cessation of production, and commencement of operations lease provisions, which are known as lease savings clauses. The cluck is a softer sound than the putt. Needless to say, you do not want to putt when you are calling. As you will read below, the putt is a warning call signaling danger to other turkeys. In the video below, you can hear this hen clucking and purring. The cluck can be heard in conjunction with purrs when a turkey is milling about at peace with the world. Unlike the yelp, it is less uniform and more erratic. Like the yelp, the cluck is also commonly used in a series. Hens will cluck to signal contentment or to let other turkeys know where she is. The cluck is another prominent hen turkey sound. Notice how the tone is deeper than most hen calls. Yelping is not exclusive to the female turkey. “Yelp,” “chuck,” and “shock” are just a few of the words commonly used to humanize the turkey vocabulary. There are a variety of words hunters will use to imitate a yelp with a mouth call. Hens will also use a loud series of assembly yelps to gather her flock together. This is in sharp contrast to the excited yelp you will hear in the spring as a hens answer gobbling toms. As a hen wakes up, she will make very soft, content tree yelps. The emotion of a yelp can vary quite a bit. Hens will also emit single yelps as well. These strings are usually very uniform and rhythmic. While hens typically yelp in three to seven-note strings, as you can hear in the video, they can create much longer strings. Hens commonly yelp to let other turkeys know her location. The yelp is the most common of the hen turkey sounds you will hear. There is a video or link to a video of each sound so you can hear and see for yourself a real turkey calling. This article covers seven different types of hen turkey sounds. Learning to distinguish the different calls, what they mean, and when to use them will make you a much better hunter. There are a variety of hen turkey sounds that all mean different things. I also can’t wait to get out into a turkey field and look for scat.To the untrained ear, it may sound like turkeys are just doing a bunch of squawking. It’s good to know that displaying for other males is part of their normal repertoire of behaviors. Males have a rudimentary internal sex organ that is believed to influence the shape of the scat.Īfter learning more about turkey mating behavior, I don’t feel as bad as I used to for my female-less male turkeys. Check that out next time you are in a field! This is due to differences in the internal anatomy of the genders. The males is j-shaped while the female’s is spiraled. One fascinating difference between the genders is the shape of their scat. Males also have a prominent beard - a tuft of modified feathers that can grow as long as 12 inches! Females sometimes have these, too, but they tend to be short and sparse. While similar in appearance the males are bigger and blockier and more colorful than the females with a metallic sheen to their feathers, whereas females are more slender with dull brown feathers. For now though, when you see a flock of turkeys in a field, it is most likely a mixed flock of mature birds. Once all the eggs are hatched, family groups will often combine forming large flocks of young turkeys along with two or more adult females. Males form all-male flocks while the females go off to lay the eggs and rear the young. Since learning this, whenever I can observe flocks of male turkeys during breeding season, I try to figure out who is going to be the dominant tom, who has the most colorful face, the longest snood, the most upright military posture.Ī male wild turkey uses his snood, the blue fleshy piece protruding down over its beak, as well as its wattles, the three red features hanging off its neck, to attract females during mating season.Īfter mating, the big male-female flocks disperse. Studies have shown that females prefer longer snoods. The red coupled with their striking blue faces signals to both their rivals and potential mates their health and vigor. When excited, their wattles (the fleshy protuberances that hang from their neck and throat) as well as their snoods (another fleshy protuberance located above the beak) swell as they become engorged with blood and turn bright red. These dominance displays involve not just strutting, but also gobbling, standing upright with tail feathers fanned, wings dragging on the ground, making non-vocal hums and chump sounds (Cornell Lab of Ornithology). The dominant tom gets the pick of the females. They strut at each other (and sometimes fight) to establish dominance. Wild turkey males use changes in facial color as well as strutting, gobbling and displaying their feathers to show their dominance and to attract females during mating season, which occurs in April and May in this area of New Hampshire and Maine.Īt the start of the breeding season, it is mostly males doing the strutting. Correlation metering is available as well. Join our mailing list Stay up to date with latest software releases, news, software. SPAN displays level metering statistics, headroom estimation, and true peak clipping detection. Cubase is a software for composing, recording, mixing and editing music. Try any software free, then pay-as-you go until you own it. SPAN also features output level metering with adjustable ballistics and integration time, EBU R128, K-system metering (including calibration K-system metering). Workflow tools and software instruments included with Creator and Creator+. SPAN supports multi-channel analysis, and can be set to display spectrums from two different channels or channel groups at the same time. For this purpose, previous installers can be downloaded using the links below. In exceptional cases, it can be useful to install an older version. Spectrum can be smoothed out visually for an easier examination. In general, we recommend downloading via the Steinberg Download Assistant and always using the latest program version. It provides all the basic tools for recording, editing and mixing - from the initial idea to the final masterpiece. Subscribe now and let Cubase guide you on your music production journey. Beside that you can choose to display secondary spectrum of a desired type (e.g. New in 12 Features Comparison Learn Cubase What Is Cubase LE Cubase LE is a special, compact version which uses the same core technologies as Cubase Pro. Start your free 60-day trial version of Cubase that will allow you to try out all of the features Cubase has to offer with no restrictions. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum's visual slope. set of audio processes, tools, and effects for recording and. Work with confidence and accuracy in your favorite recording software for. A Guide to Print Music, Software, and Web Sites for Musicians Elizabeth C. SPAN provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. This blazingly fast USB 2.0 studio in a box will have you recording your next. SPAN is a free real-time “fast Fourier transform” audio spectrum analyzer AAX, AudioUnit, and VST plugin for professional sound and music production applications. RMS, true peak level, and clipping detector. Stereo, mid-side, surround spectrum analyzer.Fast Fourier transform spectrum analyzer Cubase Elements 12.0 - Download for PC Free Windows Audio and Music Production MIDI and Audio Sequencers Cubase Elements 12.0.52 trial 7. The acquisition is meant to quickly add a team of security-focused. The terms of the transaction were not disclosed. (Photo by Yuriko Nakao/Getty Images) To offer end-to-end encryption, Zoom is acquiring Keybase, a provider of secure messaging and file-sharing. Zoom has acquired Keybase, an encryption and security service meant to serve as a secure home for your online identities. Leaders from Zoom and Keybase will work together to determine the future of the Keybase product. Krohn will lead the Zoom security engineering team, reporting directly to Yuan. Keybase.io co-founder and developer Max Krohn said, “Keybase is thrilled to join Team Zoom! Our team is passionate about security and privacy, and it is an honor to be able to bring our encryption expertise to a platform used by hundreds of millions of participants a day.”Īs members of Zoom’s security engineering function, the Keybase team will provide important contributions to Zoom’s 90-day plan to proactively identify, address, and enhance the security and privacy capabilities of its platform. ZDNet Keybase patches bug that kept pictures in cleartext storage on Mac, Windows. On the current version of the Keybase app, up to 1,000 people can join any given team, or group of users. The Security Ledger Exclusive: Flaws in Zoom’s Keybase App Kept Chat Images From Being Deleted. Bringing on a cohesive group of security engineers like this significantly advances our 90-day plan to enhance our security efforts.” Improving the security and usability of Zooms end-to-end. Keybase brings deep encryption and security expertise to Zoom, and we’re thrilled to welcome Max and his team. He added, “The first step is getting the right team together. This is what Zoom plans to build, giving our users security, ease of use, and scale, all at once,” said Eric S. We believe that no current platform offers all of these. There are enterprise-scale communications platforms. Zoom, stylized as zoom or Zoom Meetings, is a proprietary videotelephony software program developed by Zoom Video Communications. Zoom said it has fixed the flaw in the latest versions of its software for Windows, macOS and ording to researcher John Jackson of Sakura Samurai. There are communications platforms with easily deployable security. First: Jackson discovered that images that were copy and pasted into Keybase chats were not reliably deleted from a temporary folder, /uploadtemps, associated with the client application. “There are end-to-end encrypted communications platforms. Currently I wouldn’t recommend Zoom for very sensitive meetings or chats, but with end-to-end encryption that could change.Zoom Video Communications has announced its acquisition of secure messaging and file-sharing service Keybase.Īccording to Zoom, the acquisition of this team of security and encryption engineers will accelerate its plan to build end-to-end encryption that can reach current Zoom scalability. Zoom to allow disable PMI option PMI or Personal meeting Ids are automatically assigned to the user once he signs up and a personal meeting room is created. Hopefully Zoom will bring end-to-end encryption to the entire user base, including free users. On May 7, 2020, Zoom officially acquired Keybase as part of Zoom’s drive to keep their information secure and safe and to introduce an end-to-end encrypted meeting mode. “In fact it brings it back up in line with other more security and privacy focused companies.”Ī bold move by Zoom, and it perhaps its most significant so far. The patches were released on 23 January 2021, so if you are still using the old version, immediately update your Keybase client. The flaw was reported to Zoom and fixed in Keybase 5.6.0 for Windows and Keybase 5.6.1 for macOS and Linux. app can successfully help you enlarge and view HD profile pictures in full size. "Zoom's privacy updates have certainly been of interest lately and this new add on is by no means a small one,” says Jake Moore, cybersecurity specialist at ESET. The flaw in Keybase was identified during Zoom’s bug-hunting program after it acquired the project in May 2020. Profile Picture Viewer for Instagram is an powerful app which helps you. “Sometimes it's easier to buy your way out of a security problem.” MORE FROM FORBES Zoom's 200 Million Users Are Facing A Serious New Threat By Kate O'Flaherty “If Zoom basically can take Keybase's architecture and encryption technology and quickly implements it, it's a huge win,” says Ian Thornton-Trump, CISO at Cyjax. Now Zoom is buying Keybase, it can brush off blows from rivals Microsoft Teams and Google Meet, which have both been trying to capitalize on Zoom’s security misfortunes. Previously, Zoom was using an inferior type of encryption using 128-bit AES keys, however, Zoom’s 5.0 update added support for industry-standard AES- GCM with 256-bit keys. As part of its 90-day security focus, Zoom has announced that it has acquired Keybase, an app that features end-to-end encryption to secure chats and file sharing. A good portion of the host systems resources must be allocated to each VM, and those resources cannot be reclaimed by the host as long as the VM is running. Modern tools make VMs easy to create and manage, but this method comes at a cost. Virtual Machines: Virtual Machines (VMs), as mentioned earlier in this chapter, are software processes that emulate full sets of hardware, on which additional operating systems (including Windows®) can be installed and run. Once Wineskin is booted, choose 'Install Software' from the main menu. This of course means exiting FreeBSD in order to boot Windows®, so this method is not feasible if access to programs in both systems is required simultaneously. Right-click on the Stardew Valley wrapper (it should be a chicken icon if you haven't changed anything) and choose 'Show Package Contents.' From there, double-click on the Wineskin icon to boot Wineskin up. Periodicals, Journals, and Magazinesĭual-Booting: A straightforward option is to run desired Windows® applications natively on that OS. Common Address Redundancy Protocol (CARP) File and Print Services for Microsoft® Windows® Clients (Samba) Dynamic Host Configuration Protocol (DHCP) Lightweight Directory Access Protocol (LDAP) Updated (January 2nd 2021) was updated and is required for Wineskin-2.9.0.7-rc2 due to internal changes that were required for Rosetta2 compatibility. Locale Configuration for Specific Languages FreeBSD as a Guest on VMware Fusion for macOS® FreeBSD as a Guest on Parallels Desktop for macOS® RAID3 - Byte-level Striping with Dedicated Parity GEOM: Modular Disk Transformation Framework But I have a couple of games wrapped in the 32 bit era (2015) that don't run in Big Sur. Installing Applications: Packages and Ports Can I play it on MAC Install Wineskin Winery via these instructions Hit the plus on winery, install an engine (ex: WS11WineCX64Bit21.1.0) Make a new wrapper. Wineskin is support to work OK in MacOSX Big Sur and in my experience it does for new wrappers. Network Interfaces, Accounts, Time Zone, Services and Hardening This will remove the Audience Ear Heights from these layers, and ensure that they cast a shadow in the 3D View. We’ll also tag the ceiling and balcony front as an Obstacle. Adjust the Start and End ‘Width’ for the balcony layer, and for the balcony front and stalls ceiling created.įinally, let’s tag the back wall, stalls ceiling and balcony front as Scenery using the Source Properties List. The balcony measures 33m in width at the front, closest to the stage, and 43m in width at the back. Give an appropriate name to the new layers created. It’s the first button from the left - a square with a green ‘plus’ icon.Įach time, the ‘End’ coordinate is edited after using ‘Continue’ from the previous layer. Create one by clicking it’s button in the top bar of the Layer Manager. We’re describing a rectangular theatre with stalls and a balcony. Next, we’ll use the Layer Manager to create out first section of geometry in the 3D View. This is open by default in the Venues View Mode. Let’s start by filling in some useful information in the Venue Settings Panel. The latest dataset must be downloaded and enabled for use with the green ‘enable’ button. Upon launching System Optimiser for the first time, the Data Version Manager will open and prompt you to log in. Running System Optimiser for the First TimeĪfter downloading the latest launcher form the website, follow the installation instructions in this documentation. It does not cover all functions of the application, but is a good place to start for quickly measuring a venue and designing sources. The Syncfusion Essential Studio license and copyright applies to this distribution.Welcome to System Optimiser! This short guide can be thought of as a walkthrough for building a simple loudspeaker system design. > A free community license is also available for companies and individuals whose organizations have less than $1 million USD in annual gross revenue and five or fewer developers. To acquire a license for 80+ Angular UI components, you can purchase or start a free 30-day trial. Syncfusion’s licensed software, including this component, is subject to the terms and conditions of Syncfusion's EULA. > This is a commercial product and requires a paid license for possession or use. Get minor improvements and bug fixes every week to stay up to date with frequent updates. Support ticket - Guaranteed Response in 24 hours | Unlimited tickets | Holiday supportĬheck the changelog here.Product support is available through the following mediums. jpeg fromat image and can also be exported as base64 string. Exporting - Barcode can be exported as.Text Customization - Allows you to customize the text displayed.Barcode Symbologies - Supports a wide range of barcode symbologies, including:.import īarcode component is also offered in the following list of frameworks. In src/app/, use `` selector in the template attribute of the directive to render the Syncfusion Angular Barcode Generator component. This makes it easy to add the Syncfusion Angular Barcode Generator module to your project and start using it in your application. Registers the Syncfusion UI default theme (material) in the angular.json file.Imports the BarcodeGeneratorAllModule, QRCodeGeneratorAllModule, DataMatrixGeneratorAllModule in your application module.
Komplett BOSS Katana Stack med topp og kabinett.īoss Katana Head MKII, Forsterkertopp, 100W And if you’re a first-gen Katana owner, it’s possible to import your custom patches and use them all with Katana MkII.BOSS Katana Head MKII 100 & Katana Cabinett 212 Cabinet There’s also a dedicated Pedal FX category, making it easier to assign wah and pedal bend effects to a connected expression pedal. The interface has been updated with a refreshed look, and a number of parameters have been consolidated into the main screen for faster workflow. Two-channel USB operation is supported, allowing you to track in true stereo with many of Katana’s modulation, EQ, delay and reverb effects.īOSS Tone Studio has also evolved alongside the Katana MkII amplifiers. The direct sound can be shaped with five different Air Feel settings, which are accessible from BOSS Tone Studio. The Katana-50 MkII features USB and phones/recording outputs with mic’d cabinet emulation, letting you send mix-ready amp tones to a computer DAW or headphones. It’s also possible to connect external footswitches for hands-free control on the gig. Four Tone Settings (two banks of two) are available, with fast selection right from the panel. After you’ve dialed in a sound with the panel controls, simply save it to the desired memory with a quick button hold. One of the Katana-50 MkII’s most powerful features is the ability to store favorite amp character and effects setups in Tone Setting memories for instant recall. And with BOSS Tone Studio, the input can be easily optimized for your particular gear with a high-pass filter and adjustable gain. Connecting to the rear-panel Power Amp In jack bypasses Katana MkII’s preamp and effects, letting you tap straight into the Tube Logic power section, complete with grab-and-go Power Control. The Katana-50 MkII rocks as a standalone amp, but it also excels as a powered cabinet for a favorite preamp, modeler, or multi-effects unit. Just throttle back the overall volume as needed to enjoy inspiring, cranked-amp sound anywhere you play, from bedroom to stage. But unlike that classic tube amp, Katana MkII’s variable Power Control makes it easy to fly in the sweet spot without getting fired from the gig or kicked out of the house. Connecting to BOSS Tone Studio lets you dive much deeper if you want-customize the sections with over 60 different effect types, change the order with four different chains and much more.įull-Throttle Sound Every Time You Plug Inīacked by BOSS’s Tube Logic approach, Katana MkII delivers the authentic output distortion characteristics of genuine tube amplifiers, with the sound and feel becoming richer and more responsive as you turn up the volume. Independent Booster, Mod, FX, Delay and Reverb sections come loaded from the factory with three variations in each, providing 15 ready-to-play effects to choose from. Katana MkII now includes five simultaneous effects categories, putting the tone-shaping power of a massive pedalboard right inside your amp. The characters have now been extended with newly voiced variations, providing a wider palette of tone options to craft your personal sound. Katana MkII’s five primary amp characters offer everything from organic vintage tones to modern high-gain sounds, plus a dedicated voice optimized for acoustic-electric guitar. And if you’re new to the party, get ready for sound, feel and versatility that soars far beyond its price class. If you loved the original Katana amps, you’ll love Katana MkII even more. The stage-class Katana MkII lineup picks up where the first generation left off, building on the same core tones and features that have made the series such a worldwide smash. The usability has been ramped up too, with a power amp input for modelers and multi-FX, updated editor software and many other enhancements. And the onboard effects categories have been expanded from three to five, providing even more real-time processing to choose from. Newly voiced variations are now available for all five amp characters, doubling the tonal options. The Katana MkII series, which includes this 50W Katana-50 MkII 50W 1x12 combo, takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects and more features. Maybe the new offensive linemen help but better awareness of play call and personnel was probably more responsible for that loss. Had they rolled Warner away from the rush and tried a throwback pass to the tight end across the field, that probably would have resulted in 1) a touchdown 2) a holding call in the end zone and Temple probably wins that game, 24-20, instead of losing it 27-20 in overtime. They had trouble moving the ball all day on the ground and yet the first play was a handoff into the middle of the line for no gain. First and goal at the Navy 5 and you’ve got to use some imagination there. With the Owls down by 3, a great catch by Amad Anderson set them up in ideal position to go ahead and win the game in the final minute (against a triple-option team) with a touchdown, not a field goal. The 1st and Goal Call _ More of a coaching problem than a recruiting one, that could be chalked up to Everett Withers taking over at the Navy game. Peter’s Prep’s Eric King (6-3, 314), Wyoming Seminary’s Melvin Siani (6-4, 275) Clearwater Central Catholic’s Kevin Terry (6-5, 260), and St. The Owls addressed that need with some beef on the offensive line, including California JUCO Diego Barajas (6-6, 300), St. Warner’s small stature as it was of a pass rush that got up on him too fast. The Tipped Pass _ The tipped pass against Rutgers that resulted an interception that beat the Owls, 16-14, before a large Homecoming Crowd wasn’t the result as much of E.J. Nowadays maybe those kids are on fan message boards and the truth isn’t as funny as it might represent the new normal with this NIL and transfer portal nonsense. In the 50s, kids said the darndest things that were both true and funny on national TV. I love this staff but they’ve got to do better than that. What’s next? Going after “Elite South of Northeast” regional quarterbacks? Elite 11 always meant just that, Elite and, I don’t think any other G5 has had the same kind of recent success recruiting national Elite 11 quarterbacks that Temple had.Īre the days of Temple luring that kind of talent over or do we celebrate the potential signing of someone who tossed 11 touchdown passes against 12 interceptions on the high school level? In my 50 years of following Temple football, I have never once heard of the Owls ever recruiting a quarterback who had more interceptions than touchdown passes. Russo, Dwan Mathis, Patterson, and Re’Al Mitchell (who just missed out on an Elite 11 invite but still ended up at Temple) for a while represented a different level. Gotta wonder if Owlsilver is right, though.ĭietrich was an “Elite 11 Northeast Regional” quarterback. They chose Temple (well, after Virginia Tech, North Dakota State, and Rutgers) but they chose Temple. That’s the 11-best high school quarterbacks in the country, not the region, and prior Temple staffs deserve credit for luring that kind of talent to North Broad Street. Russo became, at least statistically, the fourth-best quarterback in Temple history. |
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